FAQ:

A creative producer keeps the vision sharp and gets the work made. I shape the idea, structure the process, and take responsibility for the decisions that move a project from could be to done. It makes sense to bring one in when the work is ambitious, complex, or stuck — when there’s a strong idea, multiple forces at play, and no clear path forward.

I don’t just manage timelines — I shape the work itself. That means helping artists and teams define the core idea, sharpen the concept, and translate it into exhibitions, installations, or formats that actually hold together. Need to set direction, frame a proposal, or get everyone pulling in the same direction? That’s me.

I take on projects that are ambitious, complex, or still taking shape. That includes exhibitions, installations, new media works, long-term commissions, performances, and cross-disciplinary collaborations that don’t sit neatly in one category.

I’m most useful when there’s a strong idea, multiple forces at play, and a need for clear direction — whether at the start of a project, mid-way through, or when something needs to scale or land properly.

I work with artists, institutions, studios, and agencies on projects that span cultural and commercial contexts. Some collaborations are long-term and deeply embedded; others are more focused interventions around direction, production, or decision-making. What matters less to me is the label, and more the ambition of the project and the willingness to engage seriously with the work.

Beyond production, I support projects at moments where clarity is needed — shaping direction, pressure-testing ideas, framing proposals, aligning collaborators, and mapping what actually needs to happen next. This work often happens early on, but can also be useful mid-project when things stall or need to be rethought.

Yes. Many collaborations start with a focused session — a way to clarify the project, test direction, and see how we work together before committing to something longer. These sessions are structured, practical, and designed to create momentum, whether they lead into a longer collaboration or simply help unblock the next phase.

Both formats are structured working sessions, tailored to the scale of the project.

1-on-1 sessions focus on clarifying direction, unblocking decisions, and defining next steps. Team workshops are designed to align collaborators, surface key questions, and move complex projects forward together. In both cases, the emphasis is on focus, judgement, and momentum — not brainstorming for its own sake.

Yes — when the collaboration is grounded in the artist’s practice and the project is treated as a serious piece of work, not a marketing exercise. I support artist–brand collaborations and co-commissions where expectations, authorship, and conditions are clearly defined from the outset. My role is often to shape the structure of the collaboration, align stakeholders, and ensure the work holds up across both cultural and commercial contexts.

Yes, when it’s part of a broader creative or cultural project. I’ve worked on research, visual research, and editorial development for exhibitions, publications, and platforms, often alongside production or directional work. I’m most interested in research that helps clarify ideas, frame projects, or support long-term cultural initiatives — rather than standalone content production.

Yes. I work internationally, often across multiple time zones, collaborating with artists, institutions, studios, and teams in Europe and beyond.

Start by getting in touch with a short outline of the project or question you’re dealing with. From there, we’ll usually have an initial conversation to see whether it’s a good fit and decide on the right way to work together — whether that’s a focused session or a longer collaboration.