About Me:

I work across creative direction and production, leading projects from early concept through development and production — particularly where roles, formats, or disciplines don’t fit neatly. My focus is on shaping form, scale, and structure, and on taking responsibility for the decisions that allow complex work to move forward.

I’m drawn to projects that are still forming: exhibitions, installations, new media works, commissions, and collaborations that unfold over time and across contexts. My contribution lies in shaping, refining, and deciding — knowing where to concentrate effort, what to leave out, and how to align ambition with conditions.

I work closely with artists, institutions, studios, and agencies from early development through production. Rather than separating thinking from making, I treat production as part of the conceptual process — a space where ideas are tested, adjusted, and resolved.

I lead projects hands-on, working closely with collaborators and specialists across disciplines and studios. My approach prioritizes clarity, continuity, and shared responsibility across long development cycles and complex stakeholder environments.

My practice is grounded in taking responsibility for decisions that give projects momentum and direction.

David Shrigley’s sculpture Right Ear Made of Bronze Ewa Kniaziak, Little&Large Editions, Douglas Gordon, Jonathan Monk

For project enquiries and collaborations:

ewa@kniaziakidis.com

032c logo – Press coverage of Ewa Kniaziak’s production work on Ian Cheng’s exhibition at Berghain, LAS Art Foundation

“(…) the exhibition is a hypnotic, techno-psychedelic future in the grips of a “Great Anomic Era.”

Wallpaper* logo – Press coverage of Ewa Kniaziak’s production work on Ian Cheng’s exhibition at Berghain, LAS Art Foundation

“(…) this exhibition is a fundamentally physical and bodied experience (…)”

Spike Art Magazine logo – Press coverage of Ewa Kniaziak’s production work on Ian Cheng’s exhibition at Berghain, LAS Art Foundation

“Ian Cheng’s latest film – presented by Light Art Space at Berlin’s techno mecca, Berghain – is set in a little too fast paced future where artificial intelligence is wired to the human nervous system.”

Highsnobiety logo – Coverage of Ian Cheng’s LAS Art Foundation show at Berghain, produced by Ewa Kniaziak

“(…)visitors at LUMA Arles in France, The Shed in New York, and the Leeum Samsung Museum of Art in Seoul have had the opportunity to see Life After BOB, but the Halle am Berghain may be the most ambitious iteration yet.”