About Me:
Ambitious projects are easy to imagine. Delivering them is harder.
I work across contemporary art and immersive contexts with artists, institutions, and the occasional cultural partner from outside the art world. The projects tend to be complex — exhibitions, installations, commissions, environments — ideas that attract enthusiasm long before anyone agrees how they will actually happen.
That’s where I usually come in.
My role is to give ambitious work a structure it can survive inside. I translate artistic ideas into production realities, align institutions and collaborators, and build the frameworks that allow projects to move from proposal to public presentation. Sometimes that means shaping the project early. Sometimes it means leading the production. Sometimes it means stepping in when momentum has stalled and decisions need to be made.
In practice the work is simple: define scope, clarify responsibility, and move things forward.
Project enquiries:
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“(…) the exhibition is a hypnotic, techno-psychedelic future in the grips of a Great Anomic Era.”
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“This exhibition is a fundamentally physical and bodied experience (…)”
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“Ian Cheng’s latest film – presented by Light Art Space at Berlin’s techno mecca, Berghain – is set in a little too fast paced future where artificial intelligence is wired to the human nervous system.”
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“(…)visitors at LUMA Arles in France, The Shed in New York, and the Leeum Samsung Museum of Art in Seoul have had the opportunity to see Life After BOB, but the Halle am Berghain may be the most ambitious iteration yet.”